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For him—strange as it may seem—she had ever but little love. But when he married, and George, the eldest boy, was given into her arms, and as he grew and developed and showed himself day by day to be the very prototype of his grandsire, she "took to him," as the servants said, and clung to him—and afterwards to his memory—until her dying day. There is a pause. In shrinking doubt she awaits the moment that shall make him take advantage of her words. But that moment never comes. In vain she waits. At length she lifts her eyes, and he, flinging the parchment at her feet, cries, roughly,— As Mona comes still nearer, the words of the speaker reach her, and sink into her brain. It is Lady Rodney who is holding forth, and what she says floats lightly to Mona's ears. She is still advancing, unmindful of anything but the fact that she cannot see Geoffrey again for more hours than she cares to count, when the following words become clear to her, and drive the color from her cheeks,—.
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Conrad
"Curiosity, as I have already told Mrs. Rodney," returns he, lightly. "The window was open, the lamp burning. I walked in to see the old room." "Where are you going?" asks Rodney, afraid lest his last speech has offended her. She has her hat on,—a big Gainsborough hat, round which soft Indian muslin is clinging, and in which she looks nothing less than adorable. "I am in no pain," says Mona, crimson with shame and mortification. "You mistake everything. I have not even a scratch on me; and—I have no shoes or stockings on me either, if you must know all!" "I do adore somebody," returns that ingenuous youth, staring openly at Mona, who is taking up the last stitch dropped by Lady Rodney in the little scarlet silk sock she is knitting for Phyllis Carrington's boy..
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